A friend once told me that the first morning after they had moved to a new neighbourhood, their dog found half a hotdog lying on the lawn of a neighbour’s house. Many years later, the dog was still in the habit, every morning, of making the detour from their walking route to check for hotdogs. […]Read more "Dogged"
I sometimes wonder what outsiders think archival research is like. The message blasting from mass culture is not reassuring. From the ‘archaeologist’ Indiana Jones to Dan Brown’s ‘symbologist’ Robert Langdon, audiences are told that archive work is exciting, and dangerous, that it’s ok to lie and steal to get the information, and that men always […]Read more "Floundering"
A recent workshop hosted at the UEA as part of the ‘Inner Lives’ project, which investigates emotions and the supernatural from the medieval to the modern period had me thinking again about some of the key problems that structure how historians have thought about selfhood and subjectivity. What did I take away? A sense that the […]Read more "Depth Perception"
Will a day pass, the nineteenth-century newspapers asked, that does not offer new proof of the persistence of our superstition? If there were any need to provide more examples of how much ignorance and credulity remain deeply rooted in the minds of the population, the facts we are about to present will demonstrate this sad […]Read more "Figures Who Seem to Belong to a Different Time"
There is an unspoken ideal among many academic historians when it comes to style. A good way to think of this is as ‘the art of apparent artlessness’. Wilhelm Roscher used this phrase to discuss the way Thucydides wins over his readers unawares, subtly seducing their thinking, without making his argument explicit. This style of […]Read more "The Art of Apparent Artlessness"
This post on office space in UK higher education history departments is based on an online survey that 174 people filled in via a link I tweeted out last week. The survey asked respondents about their employment conditions, employer, and office space. Three apologies before I begin: 1. I didn’t ask about age, disabilities or gender, […]Read more "A Room of One’s Own?"
The simplest story is the one which always has the best chance of being believed, usually it corresponds least to the facts. I am writing the story of a murder in 1925 by peering over the shoulder of someone else. More specifically, I am peering over the shoulder of a shadowy figure named Monsieur G. Monsieur […]Read more "The Shadowy Monsieur G"